Here are couple of images from my Emerging Pathways Exhibition at Bodelwydden Castle. I Documented all the sign of small village Tremeirchion on the side of the Clwydian Range
i had a clear view of how I wanted the work to look by filling the wall as you walk into the space capturing the shear volume of the signs in the area
I think I captured all the signs there was just under 40 which coming up with the idea even I was shocked about
I think the tow signs i’ve shown here are the news and oldest that i found. The above sign Pre date the standardisation of British Road Signs by the Worboys Committee of 1963.
So its been a little while shall we say…
I found out about the closure of Oriel Wrecsam (probably may favourite gallery) that i have such a connection with. It gave me my first chance to grab at the slippy old balloon of the art bubble dream back in 2008 on selection for the Wrecsam Open. But now revitalised and mowing into pastures new its last Hara was Art Vend. The project selected artist to submit 50 pieces of work to go to vending machines placed around Wrecsam over the next few months. The work I submitted took the form of a Digital Protection locked away in the little plastic casual. Alongside this sits the brilliant documentary of the gallery in its closing weeks from https://twitter.com/OrielWresidency This was created by Simon Proffitt more of his work can be seen here A real eye for detail…
Artist in Oriel Gwynedd
Time is flying by with the project over at Oriel Gwynedd, Bangor. You can keep up to speed with the work and what I’m doing here https://tocynnwr.exposure.co I am about to start documenting the closure of the old gallery over the next coming months.
I have an Exhibition coming up from 25 April – 5 July 2015 alongside Susan Williams and Wendy Leah Dawson. I have been documenting the many signs of Tremeirchion for such a small village about 1 square mile with over 30 signs that I have managed to document
I’m also making a return to my third Helfa Gelf this year. I will be once again camped out in Haus Of Helfa, Llandudno after receiving confirmation of my work been selected. Think poems rubber bands and 360 degrees
Ffloc has been selected to work on a 3 week residency as part of connect 2 at Aberystwyth Arts Centre during May which will entail a visually projected element and poetry. This is going to be a massive challenge but great fun. This is to evolve into a bigger project
Click on Cymru at Oriel Colwyn
I’m a Youth Worker for Conwy County Council in Colwyn bay. I’ve been teaching a group of 8 young people about Photography over the past few months as part of Cwl Cymru. We have been working together on their connection or importance of being Welsh. We have photographed in North wales
- Betws Y Coed
- Colwyn Bay
We also took the group down to Cardiff Bay for a Weekend. Where we also took some photos
We have been lucky to get a space at Oriel Colwyn from the 11th January. Which we are followed by the excellent Tom Wood and Mike McCartney after him. So im really chuffed to be able to finish the project in such style. Make sure you check out http://orielcolwyn.org/ above the theatre and the great work Paul Sampson is doing.
Hopefully see you there
Mist over the estuary of the river conwy sunlight peaks through the diffused clouds, showing the fertile fields of the now sunken village Llys helig.
So in the last few weeks I have been lucky enough to see two Keith Arnatt exhibitions. One at Oriel Mostyn…
and the other at Tate Britain.
As you can imagine both at different ends of the spectrum on scale, yet punching at the same weight. The North end of Arnatt’s work is some 10 to 12 images of post-market and typically British rubbish in the Mostyn. The South (Tate Britain) represents a retrospective of Keith Arnatt’s work, not only this but it is placed in the context of the History of British Art show that the gallery is running.
The above statement taken from the Tate Britain highlights our constant obsession to document everything on a phone rather than enjoy the moment for yourself. I recently saw on T.V someone on the West Holts Stage at Glastonbury with Nile Rodgers with is face stuck in his i-pad filming. What would Keith have done? Enjoy the moment look around, that is why we are fitted with memories!
I was introduced to Arnatt at an early age in my creative journey. It was like the fear going to High School then finding out your older second cousin went there to protect and everything would be ok. I think I am like Arnatt, inspired by the Mundane, feelings of ‘the big tourist attraction is on the right, what happens if I take a picture to the left?’ The scale of both shows is inconsequential, they both deliver a Heinrich Manoeuvre to the senses.
Arnatt’s place in the Tate is along with Richard Long is a tip of the hat to arts based photographers, from Arnatt’s images of dogs, decaying food produce or post it notes. His process was a struggle but the continued commitment to art gave it foundation and strength. The boxes work in Oriel Mostyn is refined in scale but still solid in impact, touched again with Arnatts melancholic chic. For me the sadness created by the boxes is metaphorical in maybe what he was trying to the say. What are we like?
Keith Arnatt; the thinking mans photo documentarist…
I’m off to Sicily this time next week. I’m pretty nervous for me (see i do admit it). Having major issues with my bag so i can get my cameras laptop and peco projector. Add to fact that going away makes me feel sick. I’m doing well. This is an image I’m working on as part of Focus in Sale Manchester at the Riverside Arts Gallery. Which will end in exhibition later this year. I’m not saying on what though.