Wrecsam Art Vend & Onwards…


So its been a little while shall we say…

Art vend

I found out about the closure of Oriel Wrecsam (probably may favourite gallery) that i have such a connection with. It gave me my first chance to grab at the slippy old balloon of the art bubble dream back in 2008 on selection for the Wrecsam Open. But now revitalised and mowing into pastures new its last Hara was Art Vend. The project selected artist to submit 50 pieces of work to go to vending machines placed around Wrecsam over the next few months. The work I submitted took the form of a Digital Protection locked away in the little plastic casual.  Alongside this sits the brilliant documentary of the gallery in its closing weeks from https://twitter.com/OrielWresidency This was created by Simon Proffitt more of his work can be seen here  A real eye for detail…

Artist in Oriel Gwynedd

Time is flying by with the project over at Oriel Gwynedd, Bangor. You can keep up to speed with the work and what I’m doing here https://tocynnwr.exposure.co I am about to start documenting the closure of the old gallery over the next coming months.

Bodelwydden Castle

I have an Exhibition coming up from 25 April – 5 July 2015 alongside Susan Williams and Wendy Leah Dawson. I have been documenting the many signs of Tremeirchion for such a small village about 1 square mile with over 30 signs that I have managed to documenttre-20tre finals

Helfa Gelf

I’m also making a return to my third Helfa Gelf this year. I will be once again camped out in Haus Of Helfa, Llandudno after receiving confirmation of my work been selected. Think poems rubber bands and 360 degrees

 

Connect 2

Ffloc has been selected to work on a 3 week residency as part of connect 2 at Aberystwyth Arts Centre during May which will entail a visually projected element and poetry. This is going to be a massive challenge but great fun. This is to evolve into a bigger project IMG_20150327_160545

 

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Two points… Photography by Alan Whitfield


I keep my eye wide open all the time because your mine I walk the line as Johnny Cash once sang. From the start of my photography I have always liked my eyes to be pulled into a picture. The visual split second Journey. Where will it take you?

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Will it Change your View


Adding Photography to music is something that really interests me. I was approached by Joel Cockrill to work on a project with my images to his music. I think the music changes the feel of work. What do you think? The work is from three bodies of work. The now demolished car park from Get Carter in Gateshead called Trinity Square. It was designed by Owen Lunder. One of the top designers in the Brutalist movement. My Surrealist Seamless links work and the more recent ‘your last breath’

Using John Szarkowski Photographers Eye Theory




I recently read John Szarokowski’s 1964 book The Photographers Eye. This was produced to cover M.O.M.A first critically acclaimed photography exhibition, in the book he cover the topics which he sees are the 5 basic principles of a photograph. They are

THE THING ITSELF

This is my Cat Millie she runs the house. The look on her face makes me think of Robert De Niro In Taxi Driver http://www.filmsite.org/wavfiles/taxidriver2.wav

THE DETAIL

As you can see from the information the image gives you . She is a cute cat with fine gray fur and eyes that could melt ice burghs. She is always alert never switching off. She can be very placid when she can be bothered with human interaction. The closeness of the image gives the scale human qualities as often used by the likes of William Eggleston

THE FRAME

The framing of the image shows that she is in a house lording it up on a chair. The slightly off centre subject in the image gives you a feel of warmth and content maybe sat in front room

TIME

I had to be quick and get the cat looking straight into the lens of the camera, had she have been looking away it would have lost some power and honesty it was taken at 1/8 f8 iso 100 flash +2 zoom 50mm

VANTAGE POINT

The subject is the key to the image . We are not interested in anything else the image has to offer other than maybe its indoors. Taken from higher vantage point i.e standing; the cat would have looked different. A shot from the side would be distracted by a clock case or the T.v. So on my knees close in at the cats view of things makes us engage with the subject.

These are simple thing you can do every time you take a photo. a simple image can when broken down tell so much. What do you think?

 

Some John Bulmer influence crept into my Hereford Trip


Had a great day in Hereford at the Photography festival . I saw loads of great work in some interesting spaces. Some in an office stair well, a market, a swimming pool and the Cathedral.

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Grid iron


Having spent many year looking up in built up areas. I’ve now decided to look down. Welcome to Grid iron… I’m trying to capture the craftsmanship in the metal vents and grills on builds

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Reclaimed land


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Reclaimed Land

The pinnacle…

follow the lights and you will find the gold.

A Severn wind rattles the soul,

rain like pins my face a cushion.

Edifice a vision, wooden windows a fact,

a collection of faces glued in community,

Now divided again by scheme funded foolery.

To escape is to renounce

only with strength from intrinsicality.

As thrust upon pages turn,

A dyeing side street lives

on the ensign of principality